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Cut From Steel
His son put the brush into a hand that could not open
Pierre-Auguste Renoir lived with severe rheumatoid arthritis for roughly the last three decades of his life.
A film of him painting survives from 1915, when he was 74. His hands in it are terribly deformed. The disease had stiffened the joints, turned his thumbs inward toward his palms, and bent his fingers back toward his wrists.
You may have heard that Renoir had brushes strapped to his wrists. The truth is plainer and rather harder to look at. His youngest son Claude, then 14 years old, stood beside him and placed the brush into his father's permanently clenched hand.
Assistants scrolled his large canvases across a specially built easel, so that the work travelled to him instead of him travelling along it. Renoir went on painting in that arrangement for years.
Renoir was not producing minor work in those years either. Some of the large bathers that hang in national collections today came off that easel, painted by a man who could not close his own hand around a brush.
He died on 3 December 1919, four years after the camera recorded him at it.
Renoir did not beat the disease and nobody should pretend otherwise. He rearranged everything around it until the work could still happen. That is the realistic ambition for most men, and it is a far bigger one than it sounds.
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